PAKET LENGKAP PROMPT GERAKAN KAMERA (FULL SET)

Berikut paket lengkap semua gerakan kamera + prompt siap pakai untuk text-to-video (Runway, Pika, Luma, dsb.).
Format rapi, langsung bisa copy–paste.


🎥 PAKET LENGKAP PROMPT GERAKAN KAMERA (FULL SET)

Total: 25 Jenis Gerakan Kamera


1. PAN (Panning) — Horizontal Kiri/Kanan

“Smooth horizontal PAN shot, camera rotates left–right on fixed axis, mengikuti objek berjalan. Slight background motion blur, stabil, cinematic documentary style.”


2. TILT (Tilting) — Vertikal Atas/Bawah

“Vertical TILT shot, camera moves up or down on a fixed axis, revealing subject from bottom to top. Smooth motion, cinematic, steady.”


3. DOLLY IN — Kamera Maju Mendekat

“Dolly-in movement, camera physically moves forward toward the subject. Natural depth change, dramatic approach, smooth cinematic push.”


4. DOLLY OUT — Kamera Mundur

“Dolly-out shot, camera moves backward menjauh dari subjek, gradually revealing more of the environment. Cinematic, smooth retreat.”


5. TRUCK / TRACKING LEFT–RIGHT

“Sideways tracking shot, camera moves left or right secara paralel dengan objek. Background sliding smoothly, continuous, documentary feel.”


6. ARC SHOT — Mengelilingi Objek

“Arc movement, camera bergerak melingkar 180°–360° around the subject. Smooth circular motion, dramatic, cinematic composition.”


7. ORBIT 360°

“Full 360° orbit shot, camera circles completely around the subject. Balanced speed, stable focus, dynamic cinematic energy.”


8. CRANE / JIB SHOT — Naik/Turun Tinggi

“Crane shot, camera rises from low angle to high altitude, revealing environment luas. Smooth vertical travel, dramatic reveal.”


9. ZOOM IN (Optical)

“Controlled optical zoom-in, lens moves closer to subject without changing camera position. Focus compression, cinematic clarity.”


10. ZOOM OUT

“Smooth optical zoom-out, lens pulls away from subject, widening perspective. Dramatic expansion, cinematic tone.”


11. PUSH IN — Masuk ke Subjek (tanpa Zoom)

“Push-in shot, camera physically moves closer to subject’s face or object. Increased intimacy, emotional emphasis, smooth motion.”


12. PULL BACK — Mundur dari Subjek

“Pull-back movement, camera retreats from subject to reveal the full scene. Fluid, cinematic reveal.”


13. WHIP PAN — Pan Cepat Blur

“Fast WHIP PAN, extreme speed left–right with motion blur streaks. Energetic transition, dynamic scene change.”


14. HANDHELD — Tangan Natural Bergetar

“Handheld camera movement, subtle natural shake, raw documentary feeling, immersive realism.”


15. STEADICAM WALKING SHOT

“Smooth Steadicam walking shot following subject from behind or side. Stable, floating movement, cinematic following.”


16. POV CAMERA — Sudut Pandang Mata

“POV shot, camera shows what the character sees. Natural head movement, immersive first-person perspective.”


17. OTS MOVING SHOT (Over the Shoulder)

“Moving over-the-shoulder shot, camera behind character’s shoulder following their motion. Immersive narrative view.”


18. PARALLAX SHOT

“Parallax movement, foreground moves fast while background moves slower. Strong depth illusion, cinematic perspective.”


19. REVEAL SHOT — Mengungkap Objek

“Camera starts behind a foreground object then moves to reveal the main subject dramatically. Smooth, cinematic reveal.”


20. PULL FOCUS (Focus Shift)

“Pull-focus shot, focus smoothly transitions from foreground object to background subject (or opposite). Cinematic depth change.”


21. RACK FOCUS

“Rack-focus moment, quick yet smooth shift of focus between two subjects. Emphasizing importance change.”


22. BOOM DOWN / BOOM UP

“Boom-up shot, camera rises vertically from ground level to eye-level. Smooth lift, cinematic entrance.”


23. SLOW MOTION CAMERA MOVE

“Slow-motion tracking shot, smooth movement, silky motion, detailed action emphasis.”


24. DUTCH ANGLE MOVE

“Dutch-angle camera movement, tilted frame with slight rotation while moving closer to subject. Dramatic tension effect.”


25. EXTREME CLOSE-UP MOVING SHOT

“Moving extreme close-up shot, camera glides just inches from the subject’s surface. High detail, dramatic intensity.”



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